Saturday 23 November 2013

Group Members work

Music in Thrillers

Thriller is a genre of literature, film, video gaming and television that uses suspense, tension, and excitement as the main elements. The best examples of thrillers are the films of Alfred Hitchcock. Sub-genres include crime thrillers, mystery thrillers, paranoid thrillers, psychological thrillers, and horror thrillers.

I am now analysing 4 different titles sequences' music throughout them and comparing them to one another. With this I am seeing if there is a trend in the type of audio used in Thrillers or if there is a variety. My aim is to find out as much about the sound in thrillers by analysing these following four movie title sequences: Inception, Shutter Island, Seven & Limitless; and from this hoping to gain knowledge in what is typical music of a thriller which my group and I can therefore go on to use when creating our own for our title sequence.

Inception:
loud dramatic symphonies
building up
repetition
loud dramatic build up fades out to loud waves
ambient sound of waves
sound of children in distance
ambient calm tide coming in
eery sound developing
calm eery beat with calm tide
loud shriek/scream of a child in the middle of peace
sudden noise





















Shutter Island:
long orchestra sounds
sharp sounds
deep loud sudden sounds
loud to quiet
repetition
build up
deep horrific trumpets and symbols
small sharp blips
replica siren sound





















Seven:
lightning and thunder like sounds
static sounds
repetition
computer generated sounds
robotic
sci-fi sounds-space
sudden sharp sounds
radio tuning
strange sci-fi/space fake eery music
constant beat
music layering
fast beat
non-digetic narrative or speech
quiet end



















Limitless:
silence
loud bangs
sudden sound
quiet ticking clock in background building up
banging getting slightly faster
quiet speech in background begins
louder bang and narrative starts
mellow melancholy quiet noise
faster banging and mechanical drills
digital sounds
non digetic up-beat music
quiet low sounds
parallel foley sounds of police cars
parallel sound and gun shots















My Evaluation 
From my group members analysis i have learnt that within these thrillers the producers have used repetitive deep melancholy downbeat music a lot to make the audience feel tense, they have also used a lot of ambient, Foley, parallel and non-diegetic sounds to further emphasis this and also create a suspenseful atmosphere for the audience. I have also noticed that within these analyse you can see specific codes and conventions  which relates to its genre. For example within the film seven it uses "strange sci-fi/space fake eery music" to correspond with the theme of the film, the film limitless uses gun shot sounds and police sirens to go with the action theme within the film. Furthermore film producers can raise the audiences suspicion, tension and anxiety by building up the sound level and constantly use deep mellow sounds which are seen within all four films. 

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